Symbols showing ‘Annaththe’

Symbols showing ‘Annaththe’

Rajinikanth's ‘Annaththe’ marks another turning point in his return from politics. The film highlights his desire to say goodbye to politics and focus on family matters. Always Rajini is a family man. The film is set accordingly.

Rajinikanth's ‘Annaththe’ is one of the blockbuster collection films in the industry. His film 'Mullum Malarum' is one of his most iconic films of the same genre. Both films focus on brother-sister affection. The film ‘Mullum Malarum’ would have handled it naturally and realistically. ‘Annaththe’ handles the business platform with spicy character.

In both the films 'Mullum Malarum' and ‘Annaththe’, Rajini's affectionate sisters are set. Both the films differ due to Rajini's attitude towards the sisters choosing their married life. You can see the rogue Rajini in both the films. In both there is Rajini who does not give up affection. Rajini, who is boasting in 'Mullum Malarum', is relaxed in ‘Annaththe’.

‘Annaththe’ shows how ‘Mullum Malarum’ will change if a normal actor grows up to be a super actor. Apart from that ‘Annaththe’ has not also handled the innovative storyline on. It is the ‘affectionate’ form of brother-sister affection that the Tamil film industry has in its own template form of Sivaji – Savithri’s ‘Pasa Malar’.

Shivaji - Savitri's affectionate story of ‘Pasa Malar’ has been tinkering with the menu in various ways and many actors have acted as Vijay and Ajith. Vijay's 'Sivakasi' and Ajith's 'Vedalam' are examples. Rajinikanth has now rejoined the list, using the same tactics used by successful film heroes before and after him.

Siva, who directed ‘Annaththe’, is no different from 'Vedalam', which was earlier directed by him with Ajith. There are many similarities between the two films. If the foster sister was used in the film 'Vedalam', the slightest irrelevant differences between the two films can be mentioned that he used the sibling sister in the film ‘Annaththe’. There are some other minimal meager amount of differences between the two films, such as married sister and unmarried sister. It is noteworthy that Calcutta plays an important role in the storylines of both.

Rajini, who is seen in the movie ‘Annaththe’, belongs to the upper caste. Also he belongs to family of lord such as Mirasudhar, who can come in the form of Nattamai. As well as being able to ride as a powerful bull in the Minor Range. One who can do anything for justice and affection at the same time.

‘Annaththe’ movie is captivating for a few things. Rajini refuses to massacre her fleeing sister as the marriage is about to take place. The director also accurately shows the circumstances under which genocide can take place in the film. The affection he has for her sister prevents it. Rajini also did not want to drag her sister and marry her of her choice. This is where the film deviates from reality. What Rajini did not like in the film is often happening in reality in today's society.

In the latter part of the film, Rajini indirectly enters into heroism for her sister who is in trouble. Needless to say, all of that is unbelievable heroism.

According to the film, Rajini is in Tamil land. Whether he performs heroism in a outer land like Calcutta. He is able to place bombs if he thinks. Able to set cars on fire. Can stand on top of buildings and swing people upside down. That and all this in another land where language is unknown also.

‘Annaththe’ is a film shot for Rajinikanth's business platform but it does not fail to convey the sharp views it conveys. Rajini goes for a completely family-centric approach. As well as privately as a hero telling us to do as much as we can for this community. The film also tends to symbolize in a way that he did not focus on uniting people. We can expect the same in future Rajinikanth’s films. That is, the heroism that helps the story that is not practical.

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