Feel good movies and their story fields

Feel good movies and their story fields

There is always a demand for feel good books, feel good quotes, feel good events and feel good movies.

Every man's hope consists in the expectation that something will happen which creates feel good.

What Tenkachi Swaminathan has spoken and written are feel good qoutes and feel good books.

Events organized by former President and nuclear scientist Abdul Kalam to interact with students are all evidence of feel good events.

Most of the films directed by Vikraman in Tamil cinema are feel good films. His 'Vanathai Pola' is a good example of feel good movie.

Many people are celebrating the recent release of Dhanush's movie 'Trichirtambalam' as a feel good movie.

You might ask, what kind of feel good does grandfather and grandson sit down and drink alcohol together? Change of time and change of generations have added drinking alcohol to the list of good habits. It could also be a scene taken by the director to show the deep sense of understanding between grandfather and grandson.

The story should also be strong in the feel good films. Movies that emphasize the superiority of family and relationships in a strong narrative become feel-good movies.

A film's story of rapport can also be woven through family and community relationships that provide hope and fulfillment. Such plot twist can be seen in most of Vishu's films.

Now-a-days, if you have relationships like grandfather, grandmother, mother, father, brother, sister, sister, uncle, cousin, then the movie will come together as a feel good  film. Even the story is secondary.

When a feel good film is made with a strong story, its impact will last forever. Movies like ‘Pasamalar’ belong to that genre.

It is true that there is a sense of feel good harmony in the movie 'Thirchirtambalam'. You have to find where the story is. It has to be said that the film needs to progress a little bit more in terms of story, apart from telling a story that suits the times, which is a little different in the strategy used by the sympathetic film directors like Vikraman.

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